INDEX


Viewmaster Booklet Reference Library by Mr Viewmaster

A241 Universal Studios Packet 1

A241 Universal Studios Packet 1

   

VIEW-MASTER REEL ONE
Cover Picture—Tour Entrance
Visitors Board GlamorTram
Masks in Make-up Dept.
Lucille Ball's Dressing Room
Special Effects "Magic"
Inside a Haunted Castle
Indoor "Outdoor" Western Scene

VIEW-MASTER REEL TWO
Rear Screen Projection
Eerie Hitchcock Dummies
Cover Picture—Old World City Streets
Giant-sized Telephone
A Prop Plaza Waterfall
Old-time Stagecoach
A "Ride" in a Model T


VIEW-MASTER REEL THREE
Realistic Snow Scene
Singapore Lake Waterfront
Prop Man Plays "Hercules"
Spooky "Psycho" House
"Spartacus" Courtyard
Universal City Panorama
Cover Picture—Frankenstein Monster


Sample from A241 Booklet

Universal Studios Entertainmentland, a wonderful Never-
Never Land of magical make-believe scenes, is a place where
one can literally go "around the world" without leaving Cal-
ifornia. Whatever the script calls for: a bustling city, an
open, lonely Western range, a rip-roaring frontier town, or
a palm-decked South Sea island. Universal Studios has it.

Lieutenant Columbo may be tracking down a dangerous
criminal through big city streets while, a short distance away,
a fast-drawing Western sheriff is searching a remote canyon
for a hard-riding holdup man. Spartacus attacked the march-
ing Roman legions on the same back road where Indians have
ambushed stage coaches on the Overland Trail.

Appropriately enough for Southern California, the parcel

of land on which Universal Studios now sits was once owned
by a Spanish grandee. It was called El Rancho Cahuenga de
Ramires. When Universal purchased the 260-acre property in
1914, however, it was a chicken ranch. •

Universal subsequently produced hundreds of famous
movies on the ranch. Some of the old props remain, one of
which is the stage of "Phantom of the Opera," in which Lon
Chaney starred. Jerome Kern's "Show Boat" was filmed on
the same lake as "McHale's Navy." Tom Mix, Hoot Gibson,
Buck Jones, and Harry Carey "rode off into the sunset" in
"Killer Canyon" where today's TV Westerns are made.

In the early days the studio boasted 45 pictures a year,
whereas the revamped movie and television "city," which has

ETC ETC